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I also like to use the OS X Timeline Editor to manage the sequence. The timeline is a graphical representation that shows the progression of time based on the bars across the top. It can display the progress of a single clip, or you can use it to split up your sequence file into multiple parts. In a standard sequence, you can click to select a clip, curve the time bar to adjust the playback, and clip the sequence. If you have multiple clips in your sequence, you can also scroll through the clips in the timeline. However, you can no longer adjust the rate and sample format while you are monitoring.

In addition, you can merge two video files into one file by dragging and dropping. The new file will have all frames from both files combined. You can then trim the file back to the frame rate of the first clip and apply the same sample rate and bit depth as the first file. The second clip will also be trimmed to the same length, which will typically compress slightly. The merged file will also have the previous clip as the first frame. This feature will also appear once you are editing in Sequencer mode.

Once you create a MIDI clip, you can resample the clip as needed and connect it to the Midi Track. You can also change playback speed, pan, and master volume. For each bit of audio, you also have a few options to control the level of compression and the number of sound bites.

Sequencer mode provides the most editing freedom for Apple users. Pro tools includes a MIDI track in the standard version. You can add the MIDI music to the project using the Sequencer, like a visual audio editor. Sequencer mode works well with audio edited in Pro tools, or you can use it with any other application, such as Garage band, Logic, etc. You can also insert a MIDI clip into a Pro tools sequence.

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